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Art --- Licornes --- Dans l'art
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Bestiality. --- Paraphilias --- Animals in art. --- Sex in art. --- Bestialité --- Perversion --- Animaux dans l'art --- Sexualité dans l'art --- Bestialité --- Sexualité dans l'art --- Sociology of culture --- Animalia [kingdom]
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Painting --- Europe --- Fleurs dans l'art --- Natures mortes --- Peintres
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Art --- Housekeeping --- Flanders --- Alimentation, histoire --- Exposition --- Vlaanderen --- Gourmandise --- Dans l'art v $$ Catalogues d'exposition --- Dans l'art v $$ Catalogues d'exposition.
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Art --- Christian special devotions --- Black Virgins --- Christian saints in art --- Vierges noires --- Saints chrétiens dans l'art --- Mary, --- Saints chrétiens dans l'art --- Black Madonnas --- Art.
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Art --- tax collectors --- Taxes --- iconography --- Iconography --- Droit fiscal --- Impôt --- Dans l'art --- Administration et procédure --- Dans l'art. --- Administration et procédure
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Symbolist --- Art styles --- anno 1800-1899 --- Symbolism in art. --- Symbolism in art --- Symbolism (Art movement) --- Signes et symboles dans l'art --- Symbolisme dans l'art --- Symbolisme (Mouvement artistique)
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Graphic arts --- Liege --- Liege in art --- Prints. --- In art. --- Gravure. --- Liège (Belgique) --- Dans l'art --- Gravure --- Histoire de l'art --- Estampe --- Liège (Belgium) --- Dans l'art. --- Liège
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"Maximilan I (1459-1519) skillfully crafted a public persona and peronal mythology that eventually earned him the romantic sobriquet 'The Last Knight.' From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his wordly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian's quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian's death, this catalogue is the first to examine the masterworks he commissioned, revealing how art and armor contributed to the construction of Maximilian's identity and aspirations, and to the politics of Europe at the dawn of the Renaissance--sur feuille mobile inserrée dans le livre
Maximilian I [Holy Roman emperor] --- Art --- armor [protective wear] --- Armures --- Catalogues d'exposition. --- Dans l'art --- Maximilien --- Exhibitions --- Maximilien I --- Dans l'art. --- hofcultuur
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Zötl, Aloys --- Animals, Mythical, in art. --- Animaux fabuleux dans l'art --- Zötl, Aloys
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